Trash, garage garbage and other delights.
Welcome Crampophiles, Psychotic Rockabillies, Garageniks and Surf Dudes and Dudettes ! Hope you find something of interest, feel free to comment and corrections to erroneous info most welcome. The blog is also the inspiration behind the label TRASH WAX and our webstore where you can buy all the releases and lots more similar stuff. We ship worldwide too ! www.trashwax.com
Sunday, 18 February 2024
The Earls of Suave by Bal Croce.
Sunday, 28 January 2024
The Sting Rays covers, Part 2 by Bal Croce.
Cat Man - Gene Vincent & the Blue Caps
When Nick Garrard came up with the concept of the Rockabilly
Psychosis LP, including the old tracks by the Phantom, the Novas etc, were
obvious but who would Big Beat choose for the more contemporary bands?
Fortunately for us, they asked us to contribute a track. We put our heads
together and decided to take a crack at this great Gene Vincent song. We had
always loved it.
Gene and the boys cut their first two LP’s in 1957, just four months apart. Cat Man appeared on the second and stands out as a bit different from most of his other songs. Most of Gene’s repertoire consists of really fast screaming rockers (often with up to three guitar breaks, showcasing the wizardry of their great guitarist Cliff Gallup) or lovely ballads.
Cat Man was this weird spooky mid tempo shuffle with Dickie ‘Be Bop’ Harrell using brushes and a discordant jittery guitar. We felt it fitted right in to the Rockabilly Psychosis vibe. I don’t think we ever did it live. It was recorded at Pathway (where we did all our early stuff 1st EP, Bananamen, Cats Ain’t Nothing….) and was the last studio appearance of our original bassist Keith ‘MK’ Cockburn.
Panic - Reparata and the Delrons
One of the great advantages of being signed to Ace/Big Beat was
they had so many labels releasing all types of cool music. One of their
subsidiaries was a label called Kent, reissuing great American 60’s soul.
Alec and I got really into soul. The stuff was predominantly compiled by
collector/dealer/DJ Ady Croasdell, a really nice guy (we used to go down to his
Northern Soul all-nighters at the 100 club, and Alec later ended up running the
cloakroom there, after Shane MacGowan gave the job up for fame and fortune with
The Pogues). Panic was one of the classic Northern Soul songs that we
discovered and it was in our set around the time we did our first live LP.
Reparata and the Delrons were a white all girl group. They started at a New
York, Catholic girls school in 1962. The line up would changed with head
spinning regularity and the act would recorded for a dizzying array of labels
including Laurie, RCA and Kapp. Their first release was in 1964 they carried
recording material right through the 60’s, 70’s and 80’s. Panic was the b side
of their 13th single released in the U.S. on Mala records. Alec came across it
on an LP called Casino Classics.
Ady originally hailed from the town of Market Harborough (he wrote the sleeve
notes for the Kent records releases under the non de plume Harboro Horrace). He
booked the Sting-Rays into a gig in his old home town, which I remember ended
in a massive punch-up! Sorry about that Ady.
I’m Rowed Out - the Eyes
The Eyes started out life in their native Ealing (West
London) as typical suburban British beat boys, firstly as instrumental group
the Renegades, then adding a singer and continuing as Dave Russell & the
Renegades, then the Heartbeats. But by 1965 with the advent of the Who and mod
culture they togged themselves out in pink parkas (with scooter tire marks down
the back) and weird rugby shirts with massive eye logos on the front and
relaunched themselves as the Eyes (the rugby shirts always made us laugh, as we
associated those with the hooray henrys we knew at school - “with your rugby
shirts you all look f*****g stuffed” copyright Croce/Palao). But more
importantly they wrote some cracking good tunes (check out When The Night
Falls, You’re Too Much and My Degeneration). They were signed to Mercury and
created a real buzz around the clubs in London.
Sadly fame eluded them and after three singles (and an EP with a great picture
sleeve), they just had time to pocket £180 to record an LP of Rolling Stones
material, which came out on the budget Wing label A Tribute To The Rolling
Stones by The Pupils.
We covered the B Side of their first single which was I’m Rowed Out. It’s got a
great opening lyric “You’ve got a grey suede coat and a soul like fire”!
Inside Looking Out - The Animals
The Animals were of course one of the biggest British Beat
bands, scoring number one hits both here and in the U.S. Following in the wake
of the Beatles they were in the vanguard of the British Invasion of the U.S.
charts.
Hailing from Newcastle they quickly established themselves as one of the
hottest local bands, so in 1964 moved down to London and were signed and
immediately enjoyed major chart hits such as We Gotta Get Out Of This Place,
Don’t Let Me Be Misunderstood and of course House of the Rising Sun. Eric
Burdon possessed one of the most powerful voices on the scene at the time.
Other band members such as Chas Chandler, Alan Price would go on to form their
own successful bands and in Chandler’s case bring Jimi Hendrix to the UK and
manage him and later on Slade!
We rehearsed the Animals track I’m Crying but I don’t think Alec thought our
version was up to scratch, so we never played it live. But later he proposed we
try Inside Looking Out, which we did play live (it is also on our first live
album Live Retaliation).
Double Decker Bus - The Count Five
The last couple of songs are not stuff we covered, but
inspirational starting points for our first two singles. As Alec was quoted in
the sleeve notes for the Klub Foot CD, on how he wrote songs “I’d find a song I
really liked and try to figure it out and learn it, and in the process of doing
that I’d come up with some weird combination of things that together made
something original”.
In the case of Alec’s composition of our first single Escalator it was the Count
Five’s Double Decker Bus.
The Count Five were another way cool 60’s garage band whose sole hit was the
great Psychotic Reaction (which we covered and recorded - as a bonus Bananamen
track). They (like pretty much every garage band) were huge fans of the British
invasion bands. On their 1966 album they included this ode to London’s iconic
route master bus, the band formed in San Jose, California in 1964 and signed to
the L.A. Double Shot label. They had a great look sporting boss Beatles mop
tops and wearing cool black capes! Shortly after we released Escalator, the
Vibes (who played with us a lot at that time) started to do Double Decker Bus
live, Alec wasn’t too happy!
Feelin’ Lost - The Rationals
For the blast off for our second single Don’t Break Down,
Alec was inspired by the 1966 single of Michigan’s Rationals ‘Feelin’ Lost’.
The Rationals never really broke nationally (they had one single creep into the
bottom end of the top 100 in late 1966), but were really hot in their local
state of Michigan, where they had a rabid following for their great live sets,
and classy and unique discs.
They gigged extensively, appearing on local tv and radio and releasing a large
selection of discs on a variety of labels including stints signed to Cameo and
Capitol.
Despite the lack of chart success, their popularity and local fame kept the
band gigging until late 1970.
Time Is After You The Peanut Butter Conspiracy
Alec was a a real fiend for the West Coast 60’s Psych Scene
( he eventually moved there and producing a fanzine on the scene and compiled a
whole stack of CD’s charting the bands and labels).
The Peanut Butter Conspiracy (like the Byrds) crossed over from the folk
circuit to the flourishing psychedelic rock scene. They were produced by
legendary producer Gary Usher who also worked with the Beach Boys, the Byrds
and Dick Dale. Time Is After You comes from their second LP The Great
Conspiracy, although an earlier more garage-y version was released as single in
May 1967. They also went on to record music for some biker movies and Russ
Meyer’s Beyond The Valley Of The Dolls!
Weirdly the song’s format adapted really well for our sound and it became a
fave with the Klub Foot crowd.
Down On Me - Big Brother and the Holding Company
Big Brother were one of the top bands on the West Coast
Psychedlic rock scene. Initially they were an instrumental act, playing as the
house band at the legendary Avalon Ballroom in San Francisco. They decided they
wanted a singer, but it had to be someone with real power who could compete
with their heavy sound.
In Texas a young Janis Joplin was hanging out with the 13th Floor Elevators.
Word of her powerful full throated blues style reached San Francisco and she
was invited to audition for the post by the band’s first manager, Chet Helms of
the Family Dog. It was a marriage made in rock and roll heaven and soon they
were blowing away audiences across the country, including a legendary
appearance at the Monterey Pop Festival. Down On Me was their second single
released in 1967.
Musical differences, poor management, probably drug fuelled disputes and
financial squabbles split the band up. They later reformed without Janis, who
proceeded as a solo act until a heroin overdose terminated her career in 1970.
We included it in our live act around the second year of playing, and thrashed
through a take of it at the tail end of a session at Pathway studios. It turned
up on the vinyl retrospective Big Beat released in 1987 ‘The Essential
Sting-Rays. Ironically, Big Brother’s bass player Peter Albin is now Alec’s
neighbour (and yes, he has heard our version!).
Loose Lips Sync Ships - The Hogs (aka The Chocolate Watchband)
The CWB were formed in 1965 in the south of the San Francisco Bay area, by a bunch of guys who had all played in a variety of blues and rock and roll bands. The name was originally chosen as a bit of a joke but it grew on them and they stuck with it. They were playing a lot of British Invasion type sounds, and were particularly influenced by the Kinks and the Rolling Stones (later their punky, snarly, bluesy rock and roll sound had the Watchband often cited as the American Rolling Stones).
They quickly started becoming popular in the Bay Area, but there were a lot of early line-up changes and even a temporary hiatus when a couple of guys swapped to another band. It was not until the spring of 1966 that original line up member, guitarist Mark Loomis revived the name the Chocolate Watchband and recruited Bill Flores, bass (of the Shandells, who they had both been playing with) and Gary Andrijasevich on drums, Sean Tolby on second guitar and David Aguilar on vocals. They were red hot and soon started getting loads of gigs and offers. The band signed with Green Grass Productions in LA ran by Ed Cobb and Ray Harris, who in turn got them on Tower Records.
It was whilst they were recording material for their first
Tower album in late 1966 that Harris came to the studio with a copy of Davie
Allen and the Arrows fuzz drenched classic Blues Theme (which had been recorded
as the theme tune for the forthcoming Roger Corman biker flick the Wild
Angels). Harris had heard it wasn’t going to be released as a single (just
included on the Wild Angels soundtrack LP). He thought it was a hit and got the
boys to learn and record it, there and then. Once this had been achieved they
needed a b-side Dave Aguilar told Alec in an interview conducted for his
magazine Cream Puff War “…we took a break, figured something out, came back and
just jammed through it”
And so Loose Lip Sync Ship was born. Alec loved it’s off the wall weirdness,
it’s cool minor key ethereal sound and it’s disjointed middle and end sections.
Harris and Cobb didn’t take the single to Tower but to Hanna Barbera records
(an off-shoot of the cartoon company). It was released as by “the Hogs” (because of the bands Tower
deal). A “hog” being biker’s slang for a motorbike. Sadly it wasn’t a smash hit
but if it had been that could have been a bit awkward. So the Chocolate Watch
Band could get on with their day job of being the Chocolate Watchband!
We used to open with Loose Lips in the early days and later recorded our
version for the b-side of our first single Escalator (along with an
instrumental version of Escalator). I am pretty sure the a-side was recorded at
a studio in Camden Town but the two b-side instrumentals were done at our
favourite studio Pathway.
Ironically many moons later when Alec actually played with the CWB they
rehearsed ‘Loose Lip’ but couldn’t get it to work!
Psycho - The Sonics
The Sonics probably need no introduction here. Their shit kicking, no nonsense
stomp made them a big favourite of the ‘Rays.
From Tacoma, in Washington State, they originally formed in 1960, but went
through a myriad of members until their definitive line up came together in
1964 with keyboard player Gerry Roslie tackling vocal duties with his
screaming, fog horn delivery.
They released the Witch in in 64 and followed that with Psycho the following
year. They initially recorded 3 LP’s in the early Sixties but later reformed
and continued to record and gig over the years.
We rehearsed some Sonics stuff but never got around to playing any live until a
tour of Europe in 1986 found us in Switzerland. Playing on a stage made up of
two barn doors balanced on beer crates we belted out Psycho and tried to copy
the antics of the Beatles in 1960’s Kaiser Keller; where they had a competition
with Rory Storm and the Hurricanes as to who could stomp a hole in the stage
first. The Hurricanes won!
I Can Only Give You Everything - Them
Belfast’s Them came together to to play a residency at the
Maritime Hotel in Belfast in 1964. Previously Van Morrison had sung with a band
called the Golden Eagles, and the new group he joined had been called the
Gamblers, but switched to the moniker of Them (inspired by the 1954
horror/sci-fi movie of that name featuring giant killer ants!).
They recorded some monster garage anthems including Van’s Gloria, a definitive
version of the blues classic Baby Please Don’t Go and I Can Only Give You
Everything. All of which were covered by a multitude of U.S. garage and U.K.
beat bands.
Whilst Van was (and is) an accomplished song writer he was happy to record
stuff by other people as long as he thought it was up to standard, As was the
case with I Can Only Give You Everything, brought to him by the producer of
Them’s 2nd LP (Them Again), Tommy Scott who had co written it with Mike
Coulter.
The Sting-Rays loved Them but as far as I remember we only played I Can Only
Give You Everything once live, at a gig at Gossips in Soho, run by Creation’s
Alan McGee; we were supporting the Pogues. It was after Keith had left and we
were searching for a new permanent bass player. At this particular gig Alec
switched from drums to a play a fretless electric bass, Tom Cullinan who at
that time was the drummer for the X-Men, sat in on the skins.
So You Say You Lost Your Baby - Gene Clark
Alec really started pushing the envelope with his choice of
songs we covered once he moved from drums to playing guitar with the ‘Rays.
Around 1987 we incorporated Gene Clark’s So You Say You Lost Your Baby into our
live set.
Gene was born dirt poor in Tipton Missouri in 1944. His dad was a musician and
taught him harmonica and guitar, Gene was soon writing songs and performing locally.
He cut his first single at the age of 14 and by his 18th birthday he was
spotted by members of the New Christy Minstrels, who were riding high on the
folk scene; they asked him to join them. Very popular at the time the New
Christy Minstrels were a frankly a cheesy, clean cut folk novelty act doing
stuff like 3 Wheels On My Wagon. He joined and recorded and performed with them
for a while but eventually left them and moved to L.A. where he pursued his own
vision of a band.
Combining the influence of his folk roots, and the new emerging popularity of
the Beatles and Bob Dylan, Gene formed the amazing Byrds. They soon found
massive success with hits like Bob Dylan’s Mr Tamborine Man and Gene’s penned I
Feel A Whole Lot Better and Eight Miles High.
However tensions developed within the group, as Gene had written so much of
their material he was getting more money than other members and they fell out
with each other. So he went on to a solo career, the first LP from which this
track comes from. Despite his prodigious talent he never really found success as a solo artist.
They Walked In Line - Warsaw
I always maintained the ‘Rays were a punk band, we were just
the right age to be part of the punk scene, and we all had stuff like the
Buzzcocks, the Sex Pistols and Dirk Wears White Socks era Adam and the Ants
records in our collection. I then argued that Rockabilly was the first wave of
punk and 60’s garage punk the second, and that was what we were about, the punk
DIY ethos very much a part of who we were.
So it shouldn’t come as a big surprise when we started playing Warsaw’s They
Walked In Line as part of our live set.
Warsaw formed in Salford in 1976 after a bunch of mates witnessed the Sex
Pistols playing live at Manchester’s Free Trade Hall. They recorded an early LP
for RCA but were dissatisfied with it and never released it, and bought
themselves out of the contract. They then released a self financed EP which
brought them to the attention of Factory Records Tony Wilson, who signed them
up.
Changing their name to Joy Division (as there was a London based band called
Warsaw Pakt). They went on to become really popular, and at the vanguard of the
whole Manchester scene
Sadly their lead singer Ian Curtis suffered epilepsy and depression and with
the additional problems of a complicated love life he sadly took his own life
in 1980. The rest of the band regrouped as New Order.
Sunday, 14 January 2024
The Sting Rays, What they covered tune wise ! By Bal Croce.
1. Theme from Stingray - Barry Gray Orchestra
When we were planning to start a band the name was really important, and we spent weeks endlessly trying different monikers.
The Gerry Anderson puppet TV show Stingray (along with Thunderbirds, Captain Scarlet etc.) had been a childhood fave for all of us, and so the name the Sting-Rays was finally agreed upon.
The classically-trained musician Barry Gray was hired as an in-house composer for Gerry Anderson’s AP films, working on a variety of puppet shows for television that developed into the Fireball XL5, Stingray and Thunderbirds franchise. Barry wrote and recorded all of the theme tunes.
Stingray was first aired in 1964 and ran for 39 episodes.
We opened with the theme for a few shows very early on, and part of it appears backwards on our first E.P.
2. Drive-In Movie - Mickey Gilley
‘Drive-In Movie’ was written by Ron Hargrave, who had a deal with MGM working on films and making records. He recorded the original version.
Mickey Gilley grew up in Ferriday, Louisiana, alongside his cousins Jerry Lee Lewis and Jimmy Swaggart (later an infamous TV evangelist). When Jerry found fame with hits on Sun records Mickey, who had grown up playing piano with Jerry Lee, decided he’d have a crack at rock’n’roll stardom. He recorded a handful of singles (including ‘Drive-In Movie’) for a variety of obscure labels in the 50’s and early 60’s. Gilley later found fame as a country artist and successful nightclub owner.
It was his faster and more driving version from 1961 that inspired us to cover this great song.
3. Psychotic Reaction - Count Five
In 1965, a group of guys from San Jose, California worked up a song idea based on a lecture one of them had attended in their health education class, on psychosis.
They had formed a band called the Squires, who were to become Count Five. Under that name, they recorded it for a newly-formed label, Double Shot. Released in the summer of 1966 at the height of the fuzz guitar craze (such as the Stones’ ‘Satisfaction’), the record clicked and became a hit.
It was always a fave on our turntables, and we included the song on our very first studio demo in early 1982. Later, we recorded a version at the tail end of our ‘Escalator’ recording session. It was released on the first Blood On the Cats compilation, credited to the Bananamen.
4. You’re Gonna Miss Me - The Spades
This timeless classic was written by a 15-year old genius from Austin, Texas – Roger “Roky” Erickson. He first recorded it in 1965 with his early band the Spades for the cool Zero label (which is the version we include here). Two other local musicians thought Roky was great and they persuaded him to join their band, and the new ensemble was christened the 13th Floor Elevators. They re-recorded ‘You're Gonna Miss Me’ with the new line up (including Tommy Hall playing an amplified jug) for the Contact label in early 1966. The single was picked up a few months later by International Artists, who gave it a nationwide release. Reaching number 55 on the Billboard Hot 100 in October 1966, it was their only hit.
Like ‘Psychotic Reaction,’ we all knew ‘You’re Gonna Miss Me’ from its inclusion on Nuggets. Our mate Ski had painted the sleeve of the Elevators first LP on his bedroom ceiling, and we used that as the background for the photo shoot for our first EP sleeve, which included our cover of this great piece of Texan garage.
5. Blue Girl - The Bad Roads
After Alec started raving over 60’s garage music when he discovered Lenny Kaye’s original Nuggets compilation, our next stop was Greg Shaw’s Pebbles compilations of cool 60’s garage. These feature thousands of classic tunes, but on Volume 9 we came across the fuzz-drenched classic ‘Blue Girl.’
The Bad Roads were from Lake Charles, Louisiana, and grew up digging New Orleans-type music. In 1965 the members had formed an instrumental band called the Avengers, but with the advent of the British Invasion - and particularly for them, the Rolling Stones - they added a singer and renamed themselves the Bad Roads (after the Duane Eddy hit ‘Forty Miles of Bad Road,’ cool cats indeed).
They cut ‘Blue Girl’ in August 1966, which was released on Floyd Soileau’s Jin label (which otherwise featured Cajun music). It was a local hit but didn’t cross over into the national charts.
6. I Want My Woman - The Emperors
Alec came across this killer track on the International Artists anthology Epitaph for a Legend - which was a bit weird because they actually hailed from Long Beach, California! (turns out it was on that comp because it was produced by Texan garage guru Lelan Rogers, brother of Kenny, who worked for International Artists).
They cut a couple of singles before nailing this totally boss tune as the B-side to their fourth single, released on the obscure Sabra label in 1965.
They looked really cool too, all sporting peroxide blonde Beatles mop tops.
7. The Cat - Rod Willis
Our guitarist Mark had a younger brother, Tim (who would later play bass in the X-Men), and a couple of his mates from school ran a little record hop in the Wolsey Tavern in Kentish Town, which we would often go to. One night they spun ‘The Cat,’ and we were all so knocked out, we immediately decided to cover it (along with the aforementioned ‘I Want My Woman’) for a forthcoming Big Beat compilation These Cats Ain’t Nothing But Trash – this was before our first EP had even come out.
Rodney Earl Willis was born in Milton, Florida in 1934. After high school he served in the US Marine Corps. A keen music fan on his return to civilian life, he signed to Chic Thompson’s Chic label and recorded a couple of singles written by Thompson to little acclaim. His third and final release ‘The Cat’ (also penned by Thompson) appeared on the NRC label, with which Thompson had merged. It did little business.
Rod married, had a family of five kids and left the music business behind to work in local government, he died in June 2013.
(thanks to John Marcus, of Sting-Rays support act the Huns, for his research on Rod’s story).
8.Wedding Ring - The Easybeats
We all loved Antipodean rock’n’roll (Johnny O’Keefe a fave), but it was from The Easybeats’ catalogue that Alec plucked ‘Wedding Ring’ as a B-side to our ‘June Rhyme’ 12” single.
The Easybeats became one of the biggest and most successful bands of the mid-1960s from Australia, despite all of them having emigrated there from Europe: three from the UK, two from the Netherlands. They wrote and recorded their own material, and were almost as big as the Beatles downunder.
‘Wedding Ring’ was their third single, released in 1965, and doing well in their home charts. The band went on to have a worldwide best seller with ‘Friday On My Mind,’ recorded in London and produced by the legendary Shel Talmy (whom Alec now works with).
9. What More Can I Do - The Zombies
Alec’s musical obsessions are as diverse and multifarious as anyone’s. From Jonathan Richman to the Byrds, Creedence to the Mystery Trend, but perhaps one of his overarching passions has always been the Zombies.
The Zombies were still at school when they first got together, based in St. Albans (not a million miles where we were all at school together). After winning the “Herts Beat” competition, they secured a deal with Decca Records and their first single, ‘She’s Not There,’ became a huge international hit (reaching number 2 on the U.S. top 100). They toured the UK and the US, where they appeared on TV shows like Hullabaloo.
Sadly, at the time none of their subsequent records lived up to the chart success of ‘She’s Not There,’ but they continued to tour and record, releasing singles and two albums. They switched CBS later in their career, but ironically, the band enjoyed another huge chart success with ‘Time Of The Season,’ which topped the US charts in March 1969 - a year after they had split up.
Alec later compiled, curated and wrote the extensive sleeve notes for a fantastic overview CD box set of the Zombies, Zombie Heaven.
We did this track live, and also made a demo of it at our fave studio Pathway, which remains unreleased.
10. How Much More? - Terry Knight & The Pack
Michigan-based Terry Knight started his career as a hip DJ and made many good show biz contacts. He really got into the sounds of the British Invasion, particularly that of the Stones. His next move was a plan hatched to emulate his heroes and cash in on some babes and beer by becoming the front man of a boss beat band.
Knight persuaded an established local band (the Jazz Masters) to let him re-launch their career with a new name, and himself as the lead singer. He rechristened them ‘The Pack,’ taking the name from the Shangri-La’s ‘Leader of the Pack’. They worked up a set of cool Stones-style rhythm and blues and rock ’n’ roll.
‘How Much More’ was the A side to their first Terry Knight & The Pack single. They issued a total of eleven 45s, and did a couple of LPs too, along with numerous TV appearances. The band evolved into Grand Funk Railroad.
We found ‘How Much More’ on a great garage sampler called The Chosen Few. Our own version was recorded for Mike Spenser’s compilation LP on his Hit Records label, Garage Goodies Volume One. It featured Mike on a raucous harmonica (the version on our later From The Kitchen Sink compilation is an alternative take without the harp).
11. My Flash On You - Thee Sixpence
‘My Flash On You’ was originally written and performed by Arthur Lee and his band Love, a seminal and hugely influential L.A. based outfit at the cutting edge of the switch from gritty rock’n’roll flavoured garage to the more psychedelic, freaky change in the music scene taking place in the mid-60s. Arthur was a regular face in the clubs on Sunset Strip, describing himself as the first black hippie (he came from mixed Afro-American and Native American ancestry).
Alec loved Love, but it was when he heard the Thee Sixpence version of ‘Flash’ that he decided it could work as a Sting-Rays number.
Thee Sixpence were ‘neighbours’ of Love, coming out of Glendale, California. They covered ‘My Flash On You’ on the All American label in 1966. Shortly afterwards, most of the group morphed into the much more commercially successful Strawberry Alarm Clock in 1967.
Sadly, our recorded version on our first LP doesn’t really do the song justice.
12. Come On Kid - Kenny & the Kasuals
Garage music was always a huge influence on the Sting-Rays, and Texas seems to have had more than its fair share of great acts.
Kenny & the Kasuals were a Dallas-based band formed in 1964, digging the Brit Invasion sounds. Local hustler Mark Lee took over management duties, dressed them in suits and made them play Vox amps, just like the Beatles. He got them touring around the country and secured them support slots opening for the likes of the Stones, the Beach Boys and the Buckinghams.
There are great stories on their website involving hair-straightening disasters, hearse drag races with rival band the Chessmen, and being escorted out past the Houston City limits by the Texas Rangers.
Alec suggested we cover it for our appearance on Channel 4’s The Tube, great idea Alec. We had no bass player at the time, so Alec played a fretless bass (with great fuzz break), as well as drums on the recording.
13. You Got A Hard Time Coming - The Remains
OK, I just said Texas had lots of outstanding bands, but Boston’s the Remains were a revelation when we grabbed the Eva reissue of their stuff in 1983 - we seldom had it off the turntable. Absolute killer band.
The Remains all met at university in Boston, where they rocked the socs sox off, becoming a hugely popular live act locally.
They were signed to Epic and tried to break into the big time by moving to New York, where they scored an appearance on the Ed Sullivan Show, but the big breakthrough didn’t happen, so they tried again, this time moving to the West Coast and appearing on the legendary 60’s music show Hullaballoo.
At last it looked like they might get that break when the Remains were chosen as one of the support acts on the Beatles’ last U.S. tour. But a change of drummer caused a rift in the band and they split soon after.
There is a video floating around of us doing this, taken from the filming of the Pretenders video (for ‘Middle of the Road’), where we appear briefly at the start. Chrissie even put us on the bill with them at the Hammersmith Odeon, bless her.
14. Satisfy You - The Seeds
We are back to another of Alec’s obsessions: Sky Saxon’s band the Seeds. Now he’s ended up playing with them!
The Seeds formed in Hollywood in early 1965 when Sky relocated there from his native Salt Lake City, and having failed as a teen idol, put out an advert for some other guys to get a band together. They quickly worked up a set and started gigging, getting a rep as a great live act.
Their first single ‘Can’t Seem To Make You Mine’ was a small local hit. The follow up, ‘Pushin’ Too Hard,’ after several months, eventually broke nationally in late 1966. The Seeds then became proper music stars, appearing on the NBC sitcom The Mothers-In-Law and the B-movie Psych-Out.
Their first two albums were strict garage; the third one in 1967 offered a more psychedelic groove. ‘Satisfy You’ comes from a fourth “live” LP which was much more back to their garage roots, and the song was released as a single too.
It was one of the four live tracks released on the first Stomping at the Klub Foot LP, while a studio demo was included on the retrospective The Essential Sting-Rays compilation.
The second part of this will appear mysteriously some time in the near future !
Sunday, 1 October 2017
Trashylvania....The Party At Drac's Castle.
The 1st weekend of September (2017) saw a hundred or so dedicated Trash/Garage fans assemble in the small Romanian town of Bran for a very momentous occasion, the very first 'Rock' gig to ever be held in Bran Castle aka Dracula's Castle ! T'was the brainchild of Daz Trash of Thee Gravemen and organiser of the annual Munster Raving Loony party and what an event it was !
Spooky stuff. |
A tired Mr Smith. |
We did the obligatory daytime tour of Drac's shack with all the official touristy stuff, the castle itself isn't a huge thing but it is very atmospheric, with lots of creaky stairs, narrow passages, suits of armour and a torture chamber !!!
Patrice P. |
The stage had been built in the courtyard of the castle, the lights had been set up and someone kindly switched on the smoke machine as the sun went down over the Carpathian mountains just as Patrice took to the stage...He kind of reminded me of Zacherley !
Hombre Lobo Internacional |
All hail DeadElvis ! |
Thee Gravemen. |
Once Thee Gravemen had finshed up and everyone was ushered from the castle by Igor out into the castle grounds, the party continued well into the night...Almost 'til dawn as there were guest DJ's from all parts, including Neil from Stay Sick, Pete Slovenly and something, that by all accounts, looked like a Norwegian Mrs Brown (go check the posts on various social media sites).......A truly remarkable gig, in an incredible location. A once in a lifetime experience ?.....We'll just have to wait and see !
Stay Sick Peeps.
Sunday, 20 August 2017
Bonkers for Bontempi...
The 2006 release on Soundflat Recs. |
In 1997, Marcel released his first solo 7" a hauntingly beautiful track called 'Deep Blue Sea' pre-dating Richard Hawley's trademark vocal stylings by a good 5-6 years...Well worth picking up if you ever see it and have a healthy bank balance !
Artwork for lost Migraine Recs release. |
Out early Sept. |
That was crazy, our allocation at Trash Wax was sold out in a matter of minutes after mentioning we had copies available and the complete pressing run (only 250 copies) was gone in a matter of hours !
Good news is that Mr Bontempi is releasing a brand new track 'Bury All My Troubles' (co-written with the highly talented Paul Sheahan of The Sirocco Bros) with what is probably his most in demand track 'Dig A Hole' on the flipside. Released on his own label 'Twi Lite Recs' this 7" is already in high demand and probably sold out through the usual vendors BUT there will be copies available directly from Marcel on the day of the actual release sometime around the 2nd week of September and if that isn't enough for you ? Fab label 'Stag 'O' Lee' in Germany will also be releasing a Bontempi 7" before the end of the year ! So keep your eyes peeled !
If you got this far down....Well done !
Shedload of cool slop, trash and rockin' nonsense as we like it here : www.trashwax.com
Stay Wild Peeps !
Thursday, 20 October 2016
Trash Wax releases...Summer 2016.
They also spent the whole of August touring the USA, this tour was long overdue and they've now a whole new bunch of fans, I think that they will be going back fairly soon...all reports that came back said it was a pretty sensational reception....Much deserved and as is only normal !
Next out was the Ltd LP (Just 300 copies) by Hamburg's stunning Trash duo, The Cheating Hearts and even if I say so myself, this is one blistering slice of vinyl...one our best so far, it was completely remastered in analogue by our good buddy Mondosean and bears little or resemblence to the CD release. There's no way you'd believe there are only two of them when you listen to this, all their own material too with not a cover version in sight...Love it ! Sleeve is great too, done by the Voodoo Scribbler himself Chris 'Sick' Moore....And as it says on the tin (Well, sleeve) it's 'Primitive Trash R'n'R ! ! !
Whatever you do, don't think that it's anything like the White Stripes...it pisses all over that....Go on, treat yourself while you still can !
Here's a video of The Bonecollectors for the track 'Swamp Farming' which doesn't appear of 'Voice of Zombierella'....(There are very few Spattered copies left 20.10.2016 and if you're reading this in 2017 ?...forget it).
The first of our 2 7" releases to appear was The Smoggers and Charm Bag split single although really it's not a split as it's the same guys...almost, Charm Bag is Fernando and Ana of The Smoggers playing a much more primitive style. If 60's Garage Punk is your thing, they currently don't come much better than Valencia (Spain) based The Smoggers who've 5 LPs and a whole bunch of singles out on European labels such as German garage stalwarts Soundflat...Snotty, scuzzy Farfisa and Fuzz is their philosophy. While their alter ego...Chram Bag give in to the primal sounds of The Gories, The Cramps, Link Wray and the dark side of The Birthday Party (I know which I prefere)....2 blinding tracks and the 1st 100 copies on Orange vinyl no less !
First 100 on Green vinyl ! |
Now go and buy some records so we can put even more out (Please and Thank You)....There's a lot more to come !
You can get all the releases and a whole lot more very cool stuff from the website, just click on the link : www.trashwax.com
And if that's not enough ? You can head here where we've now got more than 1500 references up, most at reasonable prices too ! : https://www.discogs.com/seller/Darrenross
OK Folks, Have fun and remember......Stay Sick !
The ABC of The Cramps. A new Cramps tome (Book).
Will be translated on this blog. |
There was also the release of THIS book, The ABC of The Cramps (Which I'll translate on this blog for you as it's in French). It's an absolute must have.....
Here's the idea of the book in Patrick B's own words :