https://www.facebook.com/thexmenspiral |
On the subject of the aforementioned Mr Spliff, for a good number of years now he has been hosting a channel (best way of putting it) on YouTube and if you've never found it, not only will you be in for a very pleasant surprise but you'll be blown away by the sheer amount of material he's posted so far,.....it's without doubt my favourite place on YouTube. He's an absolute fanatic about anything 'Medway' and the 'TRASH' scene in general. You'll find unreleased material, demo's and radio sessions as well as rarities and general releases from anyone that's been associated with the whole shebang. Head on over and be prepared to get wigged out : https://www.youtube.com/user/Charliespliff
Way too much Pastis if you ask me |
Nigel Lewis & Vince Clarke !!! |
Nigel Lewis (Original Meteors, The Escalators and The Tall Boys) teaming up with Vince Clarke (of Erasure, Depeche Mode and Yazoo) to knock out some form of 'Electrobilly' ....Mind boggling BUT it's nowhere as near as bad as it sounds ! Granted, the A-side 'Knock On Your Door' has very little in the way of any Electro influences and is just a cool song unmistakably by Nigel Lewis....The B-side is a totally different kettle of fish, entitled 'Bopp' it's an Electro Synth fest, strangely listenable.
The offending track : https://www.youtube.com/watch?v=r-YLCpfMOPM
Here's a bit of an explanation of how this weirdness came into being.
'Peanut Butter & Jam released the track, coupled
with a B-side ('Bopp'), the same year. Whilst there's little information
available about the label, it only ever put out this single, and
it was believed to have been supported by Mute.
Available only as a 1500 copy limited edition 7" large-centre
single, the track feels like an old-time jukebox promo, which is
altogether fitting given the style of music here. 'Knock On Your
Door' was written by Vince and Phil, with ex-Meteors singer / upright
bassist Nigel Lewis providing the vocals. The Meteors claim to be
the originators of psychobilly, which successfully fused punk with
rockabilly.
In an interview with a German website (psychobilly.de),
Lewis explained that the collaboration came about through Kevin
Green, the co-songwriter of 'Bopp', here credited as 'K. van Green'.
Green was the bassist in a post-Meteors project Tall Boys and also
worked on building studios; he had worked on a studio with Clarke,
which was presumably his 37B studio in Chertsey. According to the
interview, 'Vince said he wanted to make a rock 'n' roll style record
so Kev got in touch with me,' said Lewis. 'Kevin more or less produced
the sessions. Vince is a very enthusiastic person but I don't think
he really understood what I was all about. I remember thinking ''if
this isn't a success I'll eat my hat''. I no longer have a hat.'
'We had just started recording the [Family Fantastic]
Wonderful album,' explained Phil Creswick to me by email,
'and Vince had met Nigel Lewis a few months earlier. He was so incredibly
impressed with him, not just because of his voice and look, but
because he lived his whole life as this rockabilly persona. Everything
about him was associated with the Fifties and Sixties.'
This extract was borrowed from a 'Mute' related website called 'Documentary Evidence'
It took me a while to recover after too.......
les grands esprits se rencontrent toujours!!!!
ReplyDeleteCheers & thanks