Dan Whaley, upside down, left handed Bassist extraordinaire, late of The Diaboliks and sometime Bassmeister for The Dustophonics gives us the inside tale of The Shockwaves of which he was a founding member...read on and enjoy !
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| (New?!? Album due out on Trash Wax Records late 2015!!!) |
Dave "Stick" Carroll - Guitar 84-86
Clive Pearman - Guitar 86-88
Dan Whaley - Bass 84-88
Jon Delafons - Drums 84-88
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| (l-r: Me, Stick, Jon, Mark) |
It all started in leafy West Kent sometime back in 1984: a
bunch of teenagers with little or no interest in the mainstream music of their
generation, and brought up instead on a diet of punk, rock'n'roll, garage and
noise decided to pick up instruments and give it a bash themselves. Following a
few personnel changes (hello and indeed goodbye Al Cormack and Andy Crane), and
bandname changes (by summer 84 we'd settled on The Untold), the line-up
coalesced around Mark on vocals and guitar, Stick on other guitar, me on bass
and Jon on drums.
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| With the addition of Stick (2nd right), now definitely a Garage(door) Band |
Rehearsal tapes from the time (usually recorded round at a
parents' house with guitars, bass and vocal and drum mics all going through a
hifi system or home organ, with the unsurprising detrimental effects on said
"amplification" equipment) suggest we were quite heavily influenced
by The Fall around then.
By late 1985 a final name change meant we were now The
Shockwaves, and the influences had shifted more towards the 80s trash scene,
especially The Vibes & The Purple Things, whose vocal stylings, filthy
guitar tone, jazz-inflected rhythms and high-rise barnets we joyfully
appropriated.
By early 86, we had amassed a set, roughly half of which
were originals and the other half covers, and were ready to play out first gig.
The top local venue of the time was The Cavern, beneath Sevenoaks cinema, where
we were booked to play supporting local public school rockabilly combo The
Memphis Rockets. This being my first ever time on stage, I was nervous as hell,
and things looked far from rosy when I slung my bass over my shoulder and the
strap promptly broke. This was followed up by me picking up a can of beer with
trembling hands, popping it open, and getting a jet of foam square in the mush.
However, it all got better from that point on, no doubt
helped by the fact that all our mates were there to cheer us on for our first
gig. What also helped was the 2 narcissistic guitarists from the Memphis
Rockets decided to engage in onstage fisticuffs as each thought the other was
trying to upstage him. The entire audience, and for that matter the Rockets'
bass player (top chap Gav Smith, nowadays with The Urban Voodoo Machine) and
drummer quite rightly derided these two preening buffoons, and totally
unprompted by us, starting chanting "Shockwaves! Shockwaves!" which
succeeded in making them even more irate.
Following another gig at Kemsing's St Edith's Hall
(bizarrely I've been back there recently to the folk club there...), we decided
we could do with beefing up the guitar sound, so we drafted in Clive from pals
The Dangerman, and Mark concentrated on singing. A recently unearthed bootleg
of the first gig as a 5 piece from 23rd May, 1986, back at the Cavern, gives a
good, and frankly quite surprising idea of how tight we were by that point. It
also helped to remind me which covers were in the set around then (Courageous
Cat, Joe 90, Brand New Cadillac (played twice, once fast and once slow, I Hear
Noises and Scratch My Back from the Vibes' Inner Wardrobes... ep).
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| Clockwise from front: Me, Mark, Clive, Stick, Jon |
After a few more gigs that summer (one of which was
supporting mod combo Contrast featuring future Clique guitarist Jon Paul
Harper) we went into a tiny recording studio in East Peckham and recorded 4
tracks: 3 originals and another Vibes cover, this time Looking in a Mirror from
their Peel Session. Naive kiddies that we were, we didn't even come away with a
1/4" mixdown - all we had was a cassette copy of the mixdown, which
amazingly sounds not bad (and has now been backed up digitally for posterity).
Me, before I worked out that if you don't pull a face when
you hit a bum note everyone just assumes it's jazz. Either that or I've stubbed
my toe.
Following a particularly raucous gig at the Green Hut in
Tonbridge that autumn (by the end of the set both Jon and Mark had jumped off
stage and were getting busy with the punters down the front), Stick decided
he'd had enough and so hung up his guitar. (Actually, he left it round my
house, and after 18 months with him showing no interest in having it back, I
flogged it).
Stick's last stand, at the Green Hut Nov 86
Stick, Mark & Clive, and in orange shirt a very bored
looking Paul Hartnoll, a year before he'd play keyboards on a Shockwaves
recording session (see below), and a couple of years before he'd conquer the
dance music world with Orbital.
The first gig back as a 4 piece was supporting The Guana
Batz at the Angel Centre, on 7th March, 1987. I was still at school in
Tonbridge then, so had the slightly bizarre experience of playing a set of
hi-octane rock'n'roll on the Saturday, then having a PE lesson in the same
place 3 days later. This gig was recorded, although the tape appears to be
lost, but I do remember in a moment of silence between songs one of the Batz
fans, hollering "Ffffaaahhhrrrkkk Orrrffff!", displaying that broad
minded attitude for which psychobillies are so well known.
Also around this time we started venturing up into London,
playing at some of Mike Spenser's legendary trash nights downstairs at The
Clarendon. As well as playing with some great bands, like Folkestone's mighty
Green Hornets (not to be confused with the equally excellent Portsmouth combo
with the same name), this led to Mike offering to put out a Shockwaves record.
We'd recently been back into the studio in East Peckham and recorded 4 new
songs, all originals (and had remembered to come away from this session with a
1/4" tape) which gave an indication of how the sound was getting tighter
and dirtier. Following a summer of gigs at the sadly long gone Clarendon and
another much missed London garage venue, Finsbury Park's Sir George Robey, we
were booked into Cherry Studios in Croydon with Mike's mate, the legendary
pistols soundman Dave Goodman.
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| A snap from the Clarendon, 1987 |
On 3rd and 4th December, 1987 (I had to bunk off school...)
we went into the studio to lay down the tracks for the album on Mike's Hit
Records. Dave Goodman was a joy to work with; professional, talented, patient
(he may have sighed inwardly when we asked him if we could put the whole of one
track through a flanger) and slightly bemused when rather than asking about the
Pistols, we bombarded him with questions about the recordings he did with The
Sid Presley Experience and The Unholy Trinity. Paul Hartnoll, of orange shirt
and bored expression above, came in to lay down some keyboard overdubs on a
couple of tracks. I bumped into him a couple of years ago, and whilst
reminiscing about the session, he gave a whole spin on the tale that I hadn't
really appreciated at the time...
Paul was playing at that time in Noddy & The Satellites
with Jon, and had agreed to come and play keys with Jon's other band i.e. us.
Both Paul & Jon were warmly embracing the emerging dance music scene; the
rest of the band less so (I still fucking hate it), so Paul's recollection was
that he wandered into the studio with a bunch of synths, effects and other electronic
gizmos to be greeted by the slightly intimidating sight of three large
bequiffed and bemused blokes staring at him like he'd walked in with a box full
of turds.
Anyway, the end result was a collection of 8 expertly
recorded songs that we looked forward to seeing released on vinyl. Alas Mike's
label was undergoing a cashflow problem at the time, so the record was
temporarily shelved. What we didn't immediately appreciate is that shelving
period would be slightly longer than expected (28 years so far, although read
on for an unexpected turn of events...)
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| Clive & Mark at the Cavern |
1988 started with a flurry of gig activity; The Robey again,
supporting a band containing ex members of the very excellent Margin of Sanity,
Folkestone with The aforementioned Green Hornets, and a hometown gig back at
the Cavern in Sevenoaks. Not that we knew it at the time, but that was to be
our last gig, as a combination of the usual elements; disappointment at the
record shelving, teenage boredom, diverging musical tastes, me moving to
Blackpool(!) meant that the band just sort of ground to a halt. However, there
was no animosity - circumstances had just changed in our lives, and we are all
still good friends now.
Fast forward 19 years to 2007, during which time Jon has had
a stint drumming for The Shamen, and then spent many years with Alabama 3 and
Clive and I have carried on down the rock'n'roll path, both together (The
Charles Napiers, The McDeath trio/DC3) and separately (Clive with the Gene
Drayton Unit and JB & The Wolfmen, me with all the other stuff). In fact it was due to the mention I'd made of The Shockwaves on my
website that Charlie Spliff, regular Clarendon gig goer and 80s trash fan, got
in touch saying he remembered seeing us down there and how much he'd enjoyed
our stuff. A man of exquisite taste, clearly, and pressing on the fast forward
button once more to 2015, and Charlie S. is launching Trash Wax records with
Darren Ross, a label dedicated to releasing lost and forgotten trash
obscurities from that golden age. In the pipeline for a Trash Wax release is
none other than those Croydon recordings from late 87! Watch this space for
further details...
UPDATE : The Shockwaves recordings are being released on CD in late Nov/early Dec 2015. (to be followed later by a limited vinyl release)
(with thanks to Jez Nixon for unearthing many of the photos
above)
Check the website www.trashwax.com for updates and availability.
Dan's website : www.danwhaley.co.uk
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